10×06: My Struggle II

“You think it’s power what you’re doing, but it’s not… it’s sickness”
— Fox Mulder

Unable to reach Mulder, Scully has to deal with a frightening escalation of medical cases that may be linked to the biological threat of extraterrestrial DNA.

My Struggle II

20th Century Fox

Max: I wonder — if The X-Files revival might not have gone as well as it has ratings-wise — where the hell that would leave us if this episode was the last we’d see of Mulder and Scully for the foreseeable future. Certainly, we as viewers are left with a doozy of a cliffhanger that portends that the race against time might be all for naught. At the very least, “My Struggle II” improves significantly upon the season premiere, but not without scores of unanswered questions and narrative revelations that still do not quite feel in step with the classic conspiracy mode we all know and love.

Scully is approached by both Skinner and Agent Einstein when Mulder seemingly disappears, called to alarm by a new Tad O’Malley report that the alien threat in the form of mass illness and casualties is upon us. In the midst of all of this, droves of afflicted people begin to arrive at Our Lady of Sorrows hospital, leaving Scully and Einstein racing against the clock to locate and isolate alien DNA in Scully, in order to create a vaccine. Continue reading

10×01: My Struggle

My Struggle

20th Century Fox via @TheXFiles on Twitter

“This is my life, this is everything. This is everything I believe in.” — Fox Mulder
“You want to believe, you so badly want to believe.” — Dana Scully
“I do believe. I believe that Tad O’Malley is right. This is not an alien conspiracy. It’s a conspiracy of men.” — Fox Mulder

After years away from the FBI and the X-Files, as well as each other, Mulder and Scully are drawn back to their spooky callings when a conservative Internet news anchor reaches out.

Radhika: So here we are — finally discussing the first new episode of The X-Files to hit our televisions (and computers and tablets) since 2002. This is an interesting post for us, as I can still consider this episode part of my “X-Files rewatch” after watching it at New York Comic Con last fall, while it is a completely new experience for Max. We’re happy to be back for this limited engagement, so let’s get the recap and discussion started! (And yes, this means spoilers.) Continue reading

X-Files Bulletin: Smartphones with Caller ID make obsolete “Mulder, it’s me.”

Mulder and Scully

20th Century Fox

Note: This blog post will be relatively spoiler free. However, it may refer to points that have already been brought up in various interviews and media with Chris Carter and company — so if you’ve been avoiding all news of the show, maybe you don’t want to read this. But I will not be delving into any plot particulars whatsoever, so if that sounds fine to you, go ahead and read!

Ladies and gentlemen, the last time both of us had the opportunity to talk to you was last August, when Radhika and I finished rewatching and writing about the 202 episodes and two feature films that made up The X-Files corpus at that time. Earlier that year, all of us got an amazing present. Mulder and Scully were coming back, and they would be appearing in a familiar place — our television screens. Sure, times have changed and our old boxy CRT televisions have been replaced by sleek Internet-connected flatscreens, but that classic Mark Snow theme still sends shivers down our spines. Continue reading

9×19 & 9×20: The Truth

“You’ve always said that you want to believe. But believe in what, Mulder? If this is the truth that you’ve been looking for then what is left to believe in?” — Dana Scully
“I want to believe the dead are not lost to us. That they speak to us as part of something greater than us — greater than any alien force. And if you and I are powerless now, I want to believe that if we listen to what’s speaking, it can give us the power to save ourselves.” — Fox Mulder

Mulder returns, a courtroom drama ensues and somewhere in the middle of it all, the truth is still out there.

The Truth

20th Century Fox via Chrisnu

Radhika: Oh boy. Here we are, about two years after starting this blog, at the series finale of The X-Files. It feels like something of a bittersweet step, considering how gung-ho we were about the bulk of the show until we got to the last couple of seasons. As far as series finales are concerned, this one was something of a mixed bag for most people when it aired — not particularly great, though at least saved by the fact that we got to see Mulder and Scully together again. And I still have mixed feelings revisiting it now, years after the show ended, having had time to reabsorb the series’ various threads and knowing that a six-episode TV revival is on its way. In retrospect, the finale is a little boring, even with some exciting elements thrown in there. It also makes a little more sense than I thought it did in the old days. It’s not quite the bang that I would have wanted this show to go out on, but let’s face it: Most series finales aren’t particularly satisfying. Continue reading

The Best and Worst of Season 7

Best & Worst of Season 7

Screencaps: 20th Century Fox via Chrisnu

As we suspected, season seven was a tough one for us to revisit. While some episodes contained promising elements and still dared to continue the experimentation of season six, something about The X-Files still feels off in its seventh year. The actors seemed a bit tired, the plots seemed poorly fleshed out and it seemed like the show ought to have wrapped up instead of continuing for two more years.

That said, we still had a few episodes we really enjoyed, along with those episodes we disliked. So in true Apt. 42 Revisited fashion, we’re looking back at our favorite and least favorite episodes of season seven before we plow ahead with looking back at season eight. As usual, two-part mythology episodes count as one for these purposes. Read on and let us know what you think. Continue reading

7×22: Requiem

“There’s so much more you need to do with your life. There’s so much more than this. There has to be an end, Scully.” — Fox Mulder

The end is the beginning is the end as Mulder and Scully revisit the place where they encountered their first case as partners.

Requiem

20th Century Fox via Chrisnu

Radhika: “Requiem” is a standout mythology episode in an otherwise lackluster season — it is the season finale that can and should have probably been a series finale, and it is frankly one of the best season finales the show has produced. After much of the mythology’s original threads were wrapped up in previous episodes, this episode manages to revisit and revitalize that aspect of the show, providing us with both an end of an era and the start of something new.

After receiving a call from Billy Miles, an abductee our heroes encountered in the Pilot, Mulder and Scully head to Oregon to investigate the possibility that alien abductions have started up again. Seven years after their first case, Billy Miles is now a police officer and another abductee, Theresa Nemman is now a new mother married to Billy’s deputy sheriff, Ray Hoese, who has disappeared. Both Billy and Theresa end up disappearing again, thanks to some havoc wreaked by none other than the Alien Bounty Hunter, taking on the guise of loved ones. Continue reading

7×15: En Ami

“So, you want to use me to clear the slate… to make you a respectable person. It won’t work.” — Dana Scully
“How many people in the world are dying of cancer? And here we are wasting time with the past.” — Cigarette Smoking Man

When a boy is cured of his cancer under mysterious circumstances, the CSM makes promises to Scully about the technology involved while Mulder tries to extricate her from choices he thinks she will regret.

En Ami

20th Century Fox via Chrisnu

Max: “En Ami” is a bright spot in a season that is sorely lacking in positive attributes, and it still hits (mostly) all the right notes. Written by the CSM himself William B. Davis and directed (for the final time in the series) by Rob Bowman, this outing is a seductive and sinuous sojourn for Scully and the Smoking Man, his overtures of trust and the possibility of something tangible the psychological bedrock of forty-odd minutes of genuinely good television.

Our heroes are put on the scent of Jason McPeck, a young boy who claims to have his cancer cured by angels after his parents have refused medical treatment on religious grounds. A conspicuously placed newspaper later, and Scully finds herself in the company of the Cigarette Smoking Man, entreating her to go on a trip with him to acquire the details of the technology used to cure Jason before colleagues (remnants of Syndicate apparatchiks) intervene to stop him. Taking detours to an allegedly 118-year-old woman and a bit of restaurant espionage, their journey comes to head on the water as Scully meets up with a nervous informant nicknamed Cobra, who gives her a CD before getting his head blown off by a CSM assassin. Continue reading