“For so long, I believed. What am I now if not a father?” — Fox Mulder
William becomes the all consuming obsession as all factions collide to take control of the future of the human race.
Max: This is it. “My Struggle IV.” The twists and turns of the mythology come down to the miracle child Scully found out she was pregnant with all the way back in “Requiem.” To say that this episode had a lot riding on it is the understatement of the pop culture decade — or at least for the next month or so when Avengers: Infinity War takes up that mantle. X-Philes the world over have become used to a level of disappointment as far as the mythology and later episodes of the series are concerned. Hell, I’m not even sure this post can do justice to all the thoughts stirred up in the wake of what may very well be the last entry of The X-Files in an audiovisual medium, despite thoughts that Chris Carter has to the contrary.
20th Century Fox
We all know the drill by now with an episode of the mythology. A whole bunch of stuff happens and it is all so serious. Cabals plot and plan using the global population either as pawns or unwitting guinea pigs. Mulder and Scully ride in to save the day and possibly the whole planet. Here, we have William tell his story of how he went from a happy child to the most wanted teenager ever, to see everything ripped from him as his emerging powers alerted those interested to his location — it is all very X-Men, like the sage truck driver joked. The CSM wants him, Erika Price wants him, and our heroes want to keep him safe, attempting to ameliorate the past seventeen years of history. Continue reading →
“Every day a new disaster, but the one thing no one is prepared for will wipe the slate clean. We refuse to imagine our impending extinction, the acceleration of the cataclysms.”
— Cigarette Smoking Man
That plague that seemed to strike humanity in the last season finale hasn’t actually happened yet, but it might. And we get some more revelations (or do we?) about the Cigarette Smoking Man and William.
Radhika:The X-Files is back (again), picking up where it left off in the season 10 finale from 2016, which means the mythology is about to get a little more convoluted yet again. At first, this episode feels like it’s about to erase everything that happened in the previous season finale — and it sort of does, but not quite.
The season premiere opens with a monologue from the Cigarette Smoking Man (referring to himself as Carl Gearhart Bush — revealing the CGB in CGB Spender?), reflecting on his role in government conspiracies over the years. Then after the credits, we switch over to Mulder and Scully, where the former has found the latter unconscious after she suffered a seizure. Turns out that the mass illness striking humanity in the previous episode is all something Scully’s imagined, though she insists it’s all going to become reality and that Mulder needs to find the smoking man to prevent everything from coming into fruition. Continue reading →
In lieu of the best and worst roundup we wrote each season while rewatching The X-Files’ original run, we’re going to summarize our thoughts on season 10. Here’s what we thought worked, didn’t work and what we hope to see in what seems to be an inevitable season 11.
20th Century Fox
Radhika: The six-episode miniseries that was highly anticipated by even the most cynical of X-Philes has drawn to a close and this has us mulling quite a few things over. After solid ratings, a cliffhanger ending and interviews indicating that the show will probably be back in some form, it looks like we’ll get to see more of The X-Files at some point. But is it what we need?
Despite the fact that the revival ultimately left me with mixed feelings, I remain interested in seeing what more the show has to offer. What we received in this mini season was not the show at its highest quality, but it affirmed my belief that as much as I enjoy The X-Files: Fight the Future, The X-Files is best in the medium where it got its start: Television. Continue reading →
“You think it’s power what you’re doing, but it’s not… it’s sickness” — Fox Mulder
Unable to reach Mulder, Scully has to deal with a frightening escalation of medical cases that may be linked to the biological threat of extraterrestrial DNA.
20th Century Fox
Max: I wonder — if The X-Files revival might not have gone as well as it has ratings-wise — where the hell that would leave us if this episode was the last we’d see of Mulder and Scully for the foreseeable future. Certainly, we as viewers are left with a doozy of a cliffhanger that portends that the race against time might be all for naught. At the very least, “My Struggle II” improves significantly upon the season premiere, but not without scores of unanswered questions and narrative revelations that still do not quite feel in step with the classic conspiracy mode we all know and love.
Scully is approached by both Skinner and Agent Einstein when Mulder seemingly disappears, called to alarm by a new Tad O’Malley report that the alien threat in the form of mass illness and casualties is upon us. In the midst of all of this, droves of afflicted people begin to arrive at Our Lady of Sorrows hospital, leaving Scully and Einstein racing against the clock to locate and isolate alien DNA in Scully, in order to create a vaccine. Continue reading →
Note: This blog post will be relatively spoiler free. However, it may refer to points that have already been brought up in various interviews and media with Chris Carter and company — so if you’ve been avoiding all news of the show, maybe you don’t want to read this. But I will not be delving into any plot particulars whatsoever, so if that sounds fine to you, go ahead and read!
Ladies and gentlemen, the last time both of us had the opportunity to talk to you was last August, when Radhika and I finished rewatching and writing about the 202 episodes and two feature films that made up The X-Files corpus at that time. Earlier that year, all of us got an amazing present. Mulder and Scully were coming back, and they would be appearing in a familiar place — our television screens. Sure, times have changed and our old boxy CRT televisions have been replaced by sleek Internet-connected flatscreens, but that classic Mark Snow theme still sends shivers down our spines. Continue reading →
It’s no secret that season nine is our least favorite season (and the least favorite of most X-Files fans). It wasn’t just because Mulder was gone or Scully was sidelined — the stories genuinely felt tired after a somewhat creatively boosted season eight. Our snark and boredom were pretty obvious in most of our rewatch posts for this season. But there were at least a few episodes we enjoyed, even if they wouldn’t make any “classic of all time” lists. And there were naturally episodes we disliked even more than others.
So here we go, time for our last look at the best and worst episodes of The X-Files’ original run. As always multi-part mythology episodes count as one installment for our purposes: Continue reading →
“You’ve always said that you want to believe. But believe in what, Mulder? If this is the truth that you’ve been looking for then what is left to believe in?” — Dana Scully
“I want to believe the dead are not lost to us. That they speak to us as part of something greater than us — greater than any alien force. And if you and I are powerless now, I want to believe that if we listen to what’s speaking, it can give us the power to save ourselves.” — Fox Mulder
Mulder returns, a courtroom drama ensues and somewhere in the middle of it all, the truth is still out there.
Radhika: Oh boy. Here we are, about two years after starting this blog, at the series finale of The X-Files. It feels like something of a bittersweet step, considering how gung-ho we were about the bulk of the show until we got to the last couple of seasons. As far as series finales are concerned, this one was something of a mixed bag for most people when it aired — not particularly great, though at least saved by the fact that we got to see Mulder and Scully together again. And I still have mixed feelings revisiting it now, years after the show ended, having had time to reabsorb the series’ various threads and knowing that a six-episode TV revival is on its way. In retrospect, the finale is a little boring, even with some exciting elements thrown in there. It also makes a little more sense than I thought it did in the old days. It’s not quite the bang that I would have wanted this show to go out on, but let’s face it: Most series finales aren’t particularly satisfying. Continue reading →
Max: I first tried to tackle this post about five or six times before I said uncle and chalked things up to a case of writer’s block. However, thinking about things later, the frustrations I experienced were a bit apropos for “Sunshine Days,” a maddening episode I’ve always considered one of the weakest entries in the series — and now I can’t help but like parts of it. The final MotW of the original run, it doesn’t have the iconic pathos of a “Clyde Bruckman” or a memorable freak like Eugene Victor Tooms, but the episode is a showcase of the possibilities that could be and throws in some laughs before the series finale wraps up the mythology.
When a guy named Blake drags his friend Mike to a house he swears is the Brady Bunch house, Mike is astonished to find his friend is telling the truth. But while Blake’s curiosity draws him further inside, Mike is spooked and waits in the car. That is when Blake shoots out from the roof of the house and lands smack dab on top on Mike’s car, dead from the impact. Continue reading →
Radhika: I’ll be honest: Even though “Release” tackles a plot point that is pretty significant for the Doggett character, I had largely forgotten about it by the time I rewatched the episode for this blog. This is something of a damning thing to say under normal circumstances, but I will also confess that while it is not a flawless episode, I was pleasantly surprised revisiting “Release,” which is reasonably atmospheric, compelling and emotional compared to the bulk of this season.
It begins when Doggett receives a tip that leads him to a dead body in an abandoned apartment building. When Scully performs an autopsy, one of her students, Rudolph Hayes, guesses that the victim had met a killer in a bar and the murder is eventually linked to another killing. Doggett and Reyes work with Hayes who eventually leads them to ex-mobster Nicholas Regali. It turns out that Hayes has a bit of an obsession with crime scenes — his apartment walls are plastered with crime scene photos, including those related to Doggett’s dead son, Luke. Hayes tells Doggett he believes a man named Robert Harvey kidnapped Luke, but that Regali was the man behind his murder. Continue reading →
Max: What an incredibly dour, depressing, and tragic episode this is. Granted, mythology episodes aren’t the feel-good hits of the X-Files world, but there is no relief and no exit from the simple fact that Scully has to give up William — the miracle baby she thought she could never have — in order to ensure his safety from those who wish to exploit him as a pawn towards alien colonization.
Really this is the story of two characters devastated by the effects that the government conspiracy around extraterrestrials had on their lives — our beloved Dana Scully and the weasel-made-good Jeffrey Spender. When a badly burned and scarred Spender sneaks into the X-Files office and assaults Doggett in an attempt to flee, Scully is called in. Continue reading →