“For so long, I believed. What am I now if not a father?” — Fox Mulder
William becomes the all consuming obsession as all factions collide to take control of the future of the human race.
Max: This is it. “My Struggle IV.” The twists and turns of the mythology come down to the miracle child Scully found out she was pregnant with all the way back in “Requiem.” To say that this episode had a lot riding on it is the understatement of the pop culture decade — or at least for the next month or so when Avengers: Infinity War takes up that mantle. X-Philes the world over have become used to a level of disappointment as far as the mythology and later episodes of the series are concerned. Hell, I’m not even sure this post can do justice to all the thoughts stirred up in the wake of what may very well be the last entry of The X-Files in an audiovisual medium, despite thoughts that Chris Carter has to the contrary.
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We all know the drill by now with an episode of the mythology. A whole bunch of stuff happens and it is all so serious. Cabals plot and plan using the global population either as pawns or unwitting guinea pigs. Mulder and Scully ride in to save the day and possibly the whole planet. Here, we have William tell his story of how he went from a happy child to the most wanted teenager ever, to see everything ripped from him as his emerging powers alerted those interested to his location — it is all very X-Men, like the sage truck driver joked. The CSM wants him, Erika Price wants him, and our heroes want to keep him safe, attempting to ameliorate the past seventeen years of history. Continue reading →
“I tried to suppress that mistrust but it gnawed at me. Then you two — you two came along and you taught me not to hide from it but to shine a light directly into the darkest corners.” — Walter Skinner
Upon learning that AD Skinner has gone AWOL, Mulder and Scully dig into his wartime past in search of monsters both real and perceived.
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Max: Mitch Pileggi has been playing Assistant Director Walter Skinner in one form or another for almost 24 years. Throughout, we have seen a man once thought to be a thorn in the side of our intrepid heroes become a staunch ally — and fan favorite. But this episode does remind us that we know precious little about Walter Sergei Skinner outside glimpses from “Avatar,” “Zero Sum,” and his eloquent monologue about his time in Vietnam during Scully’s harrowing road to recovery in “One Breath.” It is this period in his life that rumbles its way back to the surface in this episode, as Skinner’s complicity in some dirty deeds committed by the United States government come back to haunt him.
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Called to the office of Deputy Director Kersh (the mustache is back!!!), Mulder and Scully are grilled as to the whereabouts of their immediate supervisor, a question they actually can’t answer, despite Kersh’s belief otherwise. Their investigation brings them to the small town of Mud Lick, Kentucky, where a number of deaths and mysterious happenings occur in the shadows of Glazebrook, a government-run mental hospital. Wanting to make things right with his former comrade-in-arms John “Kitten” James, Skinner comes face-to-face with John’s son Davey, while our heroes work with a local police officer to track down their boss. Continue reading →
“Maybe I should have had the courage to stand by you. But I thought I was being brave because it was the hardest thing I’ve ever done — to let go and to know that I was going to miss your whole life.” — Dana Scully
Mulder and Scully investigate the strange case of a couple of girls who attack each other, claiming to see a monster, but soon realize that the case is more about them.
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Radhika: We’re halfway through season 11 and it looks like the writers decided to give us an episode that feels like a Monster of the Week, but is really something of a mythology episode in the end. With its spooky opening, this episode feels somewhat vintage X-Files when it starts, but then it digs into the story of Mulder and Scully’s son, William, and we find ourselves in some mixed-up territory.
Mulder and Scully are looking into an X-File (shortly after Scully has a “waking dream” that mirrors the visions she was having in the “My Struggle” episodes) involving two girls who attacked each other, each claiming to have seen a monster that they insist was the culprit. Both teens have a boyfriend in common — a Jackson Van de Kamp, who Mulder and Scully decide to visit, only to find the boy may have killed himself and his parents in a murder-suicide. But something doesn’t feel quite right, and as Scully realizes they’re in the house she was in during her dreamlike episode, she begins to suspect that the case has something to do with William, the son she gave up years ago. Continue reading →
Mulder and Scully get roped into the very real delusions of a former civil servant who believes They is out there — with the truth.
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Max: Right off the bat let me say this, “The Lost Art of Forehead Sweat” is not the best episode that Darin Morgan has penned for The X-Files. Understandably, there is a great deal of hype and expectation that gets stirred up when we are talking about Mr. Morgan, since his mind is responsible for some of the most indelible images, lines, and laughs that keeps X-Philes coming back for more, including what is considered now perhaps the sole saving grace of last season. It is with this in mind that I come away from this episode bit underwhelmed. Was I expecting the next “Clyde Bruckman” or “Jose Chung”? Perhaps, but at the very least a good Darin Morgan episode is much better than a lot of what television has to offer, and there were a good number of laughs and witty moments to make this one worth anyone’s while. [Editor’s note: Screw it, I loved it. This is some delightful, brilliant stuff.]
Do you remember Nelson Mandela died in the 1980s? Or a how a certain children’s book series about a family of bears spelled the titular family’s name? I do — I think — I mean I can clearly recall seeing Luke Skywalker hang around with his pals at Tosche Station in the original Star Wars film. Memory is a tricky thing, and when you involve a number of people, you get something like the Mandela Effect. Look it up sometime. Continue reading →
“Mulder, do gravediggers work at night?” — Dana Scully
After a cell phone transmission in the guise of Richard Langly interrupts an evening of going over old files, Mulder and Scully find themselves ensnared in a top secret program with implications of potential immortality.
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Max: Well, that was certainly a marked improvement over last week. An episode positively bursting with ideas and the frenetic edge-of-your-seat pace of the very best of classic X-Files, “This” sees our heroes stare down the machinations of quasi-state actors intent on abusing the dreams and goodwill of others to further an amorphous agenda of sinister design.
The aforementioned transmission brings our dynamic duo into conflict with Titanpointe, a Russia-based intelligence operation sponsored by the United States government and seemingly headed by Erika Price, the woman Mulder encountered last episode as she let him in on an operation counter to that of the CSM. Here, we gain knowledge of a program that Lone Gunman Richard Langly and his friend — mathematician Dr. Karah Hamby — participated in which involved duplicating their biological brains so that their consciousness may live forever inside a computer simulation. Little did they know that this simulation was merely a conduit so that operations like Titanpointe can use their minds to work on problems and projects that require great brain and computing power. Continue reading →
“Every day a new disaster, but the one thing no one is prepared for will wipe the slate clean. We refuse to imagine our impending extinction, the acceleration of the cataclysms.”
— Cigarette Smoking Man
That plague that seemed to strike humanity in the last season finale hasn’t actually happened yet, but it might. And we get some more revelations (or do we?) about the Cigarette Smoking Man and William.
Radhika:The X-Files is back (again), picking up where it left off in the season 10 finale from 2016, which means the mythology is about to get a little more convoluted yet again. At first, this episode feels like it’s about to erase everything that happened in the previous season finale — and it sort of does, but not quite.
The season premiere opens with a monologue from the Cigarette Smoking Man (referring to himself as Carl Gearhart Bush — revealing the CGB in CGB Spender?), reflecting on his role in government conspiracies over the years. Then after the credits, we switch over to Mulder and Scully, where the former has found the latter unconscious after she suffered a seizure. Turns out that the mass illness striking humanity in the previous episode is all something Scully’s imagined, though she insists it’s all going to become reality and that Mulder needs to find the smoking man to prevent everything from coming into fruition. Continue reading →
In lieu of the best and worst roundup we wrote each season while rewatching The X-Files’ original run, we’re going to summarize our thoughts on season 10. Here’s what we thought worked, didn’t work and what we hope to see in what seems to be an inevitable season 11.
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Radhika: The six-episode miniseries that was highly anticipated by even the most cynical of X-Philes has drawn to a close and this has us mulling quite a few things over. After solid ratings, a cliffhanger ending and interviews indicating that the show will probably be back in some form, it looks like we’ll get to see more of The X-Files at some point. But is it what we need?
Despite the fact that the revival ultimately left me with mixed feelings, I remain interested in seeing what more the show has to offer. What we received in this mini season was not the show at its highest quality, but it affirmed my belief that as much as I enjoy The X-Files: Fight the Future, The X-Files is best in the medium where it got its start: Television. Continue reading →