In lieu of the best and worst roundup we wrote each season while rewatching The X-Files’ original run, we’re going to summarize our thoughts on season 11, just like we did for season 10.
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Radhika: Season 11 of The X-Files has come to a close and overall, I have to say that this season of the revival ended up being much stronger than the last one, with a good chunk of the episodes actually exciting a number of Philes or at least reminding us why we enjoyed the show the first time around. The biggest disappointments for me were the season premiere and finale, though, which could play a large part in future storylines, should the show continue — or could simply end up serving as yet another lukewarm conclusion to Mulder and Scully’s story, much like the original series finale and second movie did.
Overall, I’d say this season was a success despite those episodes, because it accomplished much of what a revival typically sets out to do. While the mythology has become stale for me over time, I really enjoyed the Monster of the Week episodes here (as well as some of the combo MOTW/myth episodes), because while they didn’t necessarily break new ground, they still remained enjoyable to watch while retaining the initial spirit of the show. That served as a reminder that yes, we like spooky stories and we like it when Mulder and Scully are there to investigate them. And that’s what a revival should be able to accomplish. Continue reading →
“For so long, I believed. What am I now if not a father?” — Fox Mulder
William becomes the all consuming obsession as all factions collide to take control of the future of the human race.
Max: This is it. “My Struggle IV.” The twists and turns of the mythology come down to the miracle child Scully found out she was pregnant with all the way back in “Requiem.” To say that this episode had a lot riding on it is the understatement of the pop culture decade — or at least for the next month or so when Avengers: Infinity War takes up that mantle. X-Philes the world over have become used to a level of disappointment as far as the mythology and later episodes of the series are concerned. Hell, I’m not even sure this post can do justice to all the thoughts stirred up in the wake of what may very well be the last entry of The X-Files in an audiovisual medium, despite thoughts that Chris Carter has to the contrary.
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We all know the drill by now with an episode of the mythology. A whole bunch of stuff happens and it is all so serious. Cabals plot and plan using the global population either as pawns or unwitting guinea pigs. Mulder and Scully ride in to save the day and possibly the whole planet. Here, we have William tell his story of how he went from a happy child to the most wanted teenager ever, to see everything ripped from him as his emerging powers alerted those interested to his location — it is all very X-Men, like the sage truck driver joked. The CSM wants him, Erika Price wants him, and our heroes want to keep him safe, attempting to ameliorate the past seventeen years of history. Continue reading →
“Maybe I should have had the courage to stand by you. But I thought I was being brave because it was the hardest thing I’ve ever done — to let go and to know that I was going to miss your whole life.” — Dana Scully
Mulder and Scully investigate the strange case of a couple of girls who attack each other, claiming to see a monster, but soon realize that the case is more about them.
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Radhika: We’re halfway through season 11 and it looks like the writers decided to give us an episode that feels like a Monster of the Week, but is really something of a mythology episode in the end. With its spooky opening, this episode feels somewhat vintage X-Files when it starts, but then it digs into the story of Mulder and Scully’s son, William, and we find ourselves in some mixed-up territory.
Mulder and Scully are looking into an X-File (shortly after Scully has a “waking dream” that mirrors the visions she was having in the “My Struggle” episodes) involving two girls who attacked each other, each claiming to have seen a monster that they insist was the culprit. Both teens have a boyfriend in common — a Jackson Van de Kamp, who Mulder and Scully decide to visit, only to find the boy may have killed himself and his parents in a murder-suicide. But something doesn’t feel quite right, and as Scully realizes they’re in the house she was in during her dreamlike episode, she begins to suspect that the case has something to do with William, the son she gave up years ago. Continue reading →
“Every day a new disaster, but the one thing no one is prepared for will wipe the slate clean. We refuse to imagine our impending extinction, the acceleration of the cataclysms.”
— Cigarette Smoking Man
That plague that seemed to strike humanity in the last season finale hasn’t actually happened yet, but it might. And we get some more revelations (or do we?) about the Cigarette Smoking Man and William.
Radhika:The X-Files is back (again), picking up where it left off in the season 10 finale from 2016, which means the mythology is about to get a little more convoluted yet again. At first, this episode feels like it’s about to erase everything that happened in the previous season finale — and it sort of does, but not quite.
The season premiere opens with a monologue from the Cigarette Smoking Man (referring to himself as Carl Gearhart Bush — revealing the CGB in CGB Spender?), reflecting on his role in government conspiracies over the years. Then after the credits, we switch over to Mulder and Scully, where the former has found the latter unconscious after she suffered a seizure. Turns out that the mass illness striking humanity in the previous episode is all something Scully’s imagined, though she insists it’s all going to become reality and that Mulder needs to find the smoking man to prevent everything from coming into fruition. Continue reading →
Max: What an incredibly dour, depressing, and tragic episode this is. Granted, mythology episodes aren’t the feel-good hits of the X-Files world, but there is no relief and no exit from the simple fact that Scully has to give up William — the miracle baby she thought she could never have — in order to ensure his safety from those who wish to exploit him as a pawn towards alien colonization.
Really this is the story of two characters devastated by the effects that the government conspiracy around extraterrestrials had on their lives — our beloved Dana Scully and the weasel-made-good Jeffrey Spender. When a badly burned and scarred Spender sneaks into the X-Files office and assaults Doggett in an attempt to flee, Scully is called in. Continue reading →