“I tried to suppress that mistrust but it gnawed at me. Then you two — you two came along and you taught me not to hide from it but to shine a light directly into the darkest corners.” — Walter Skinner
Upon learning that AD Skinner has gone AWOL, Mulder and Scully dig into his wartime past in search of monsters both real and perceived.
20th Century Fox
Max: Mitch Pileggi has been playing Assistant Director Walter Skinner in one form or another for almost 24 years. Throughout, we have seen a man once thought to be a thorn in the side of our intrepid heroes become a staunch ally — and fan favorite. But this episode does remind us that we know precious little about Walter Sergei Skinner outside glimpses from “Avatar,” “Zero Sum,” and his eloquent monologue about his time in Vietnam during Scully’s harrowing road to recovery in “One Breath.” It is this period in his life that rumbles its way back to the surface in this episode, as Skinner’s complicity in some dirty deeds committed by the United States government come back to haunt him.
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Called to the office of Deputy Director Kersh (the mustache is back!!!), Mulder and Scully are grilled as to the whereabouts of their immediate supervisor, a question they actually can’t answer, despite Kersh’s belief otherwise. Their investigation brings them to the small town of Mud Lick, Kentucky, where a number of deaths and mysterious happenings occur in the shadows of Glazebrook, a government-run mental hospital. Wanting to make things right with his former comrade-in-arms John “Kitten” James, Skinner comes face-to-face with John’s son Davey, while our heroes work with a local police officer to track down their boss. Continue reading →
“Maybe I should have had the courage to stand by you. But I thought I was being brave because it was the hardest thing I’ve ever done — to let go and to know that I was going to miss your whole life.” — Dana Scully
Mulder and Scully investigate the strange case of a couple of girls who attack each other, claiming to see a monster, but soon realize that the case is more about them.
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Radhika: We’re halfway through season 11 and it looks like the writers decided to give us an episode that feels like a Monster of the Week, but is really something of a mythology episode in the end. With its spooky opening, this episode feels somewhat vintage X-Files when it starts, but then it digs into the story of Mulder and Scully’s son, William, and we find ourselves in some mixed-up territory.
Mulder and Scully are looking into an X-File (shortly after Scully has a “waking dream” that mirrors the visions she was having in the “My Struggle” episodes) involving two girls who attacked each other, each claiming to have seen a monster that they insist was the culprit. Both teens have a boyfriend in common — a Jackson Van de Kamp, who Mulder and Scully decide to visit, only to find the boy may have killed himself and his parents in a murder-suicide. But something doesn’t feel quite right, and as Scully realizes they’re in the house she was in during her dreamlike episode, she begins to suspect that the case has something to do with William, the son she gave up years ago. Continue reading →
Mulder and Scully get roped into the very real delusions of a former civil servant who believes They is out there — with the truth.
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Max: Right off the bat let me say this, “The Lost Art of Forehead Sweat” is not the best episode that Darin Morgan has penned for The X-Files. Understandably, there is a great deal of hype and expectation that gets stirred up when we are talking about Mr. Morgan, since his mind is responsible for some of the most indelible images, lines, and laughs that keeps X-Philes coming back for more, including what is considered now perhaps the sole saving grace of last season. It is with this in mind that I come away from this episode bit underwhelmed. Was I expecting the next “Clyde Bruckman” or “Jose Chung”? Perhaps, but at the very least a good Darin Morgan episode is much better than a lot of what television has to offer, and there were a good number of laughs and witty moments to make this one worth anyone’s while. [Editor’s note: Screw it, I loved it. This is some delightful, brilliant stuff.]
Do you remember Nelson Mandela died in the 1980s? Or a how a certain children’s book series about a family of bears spelled the titular family’s name? I do — I think — I mean I can clearly recall seeing Luke Skywalker hang around with his pals at Tosche Station in the original Star Wars film. Memory is a tricky thing, and when you involve a number of people, you get something like the Mandela Effect. Look it up sometime. Continue reading →
“I know what you’re thinking Mulder.” — Dana Scully
“Anyone for a game of Hangman?” — Fox Mulder
Our agents find themselves investigating a series of murders involving doppelgängers that may be connected to a pair of twins playing a deadly game.
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Radhika: And we continue on in this new season with a Monster of the Week episode, which didn’t necessarily contain the best case I’ve seen on this show, but did manage to maintain that spooky (yet fun) X-Files atmosphere that feels a lot more like the show I’ve loved all these years. The case was kind of interesting, but the thing that makes the episode is ultimately the Mulder and Scully relationship that has always been at the core of the series.
In this episode, Mulder and Scully investigate a series of murders in which the victims see doubles of themselves before eventually ending up dead. The case finally leads them to a pair of twins (one is institutionalized) telepathically playing a game of “Hangman” that seems to be playing a role in determining who dies next. And while our favorite agents wind up seeing doubles of themselves during the investigation, they manage to survive with the twins instead dying at their own hands. Continue reading →
“Mulder, do gravediggers work at night?” — Dana Scully
After a cell phone transmission in the guise of Richard Langly interrupts an evening of going over old files, Mulder and Scully find themselves ensnared in a top secret program with implications of potential immortality.
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Max: Well, that was certainly a marked improvement over last week. An episode positively bursting with ideas and the frenetic edge-of-your-seat pace of the very best of classic X-Files, “This” sees our heroes stare down the machinations of quasi-state actors intent on abusing the dreams and goodwill of others to further an amorphous agenda of sinister design.
The aforementioned transmission brings our dynamic duo into conflict with Titanpointe, a Russia-based intelligence operation sponsored by the United States government and seemingly headed by Erika Price, the woman Mulder encountered last episode as she let him in on an operation counter to that of the CSM. Here, we gain knowledge of a program that Lone Gunman Richard Langly and his friend — mathematician Dr. Karah Hamby — participated in which involved duplicating their biological brains so that their consciousness may live forever inside a computer simulation. Little did they know that this simulation was merely a conduit so that operations like Titanpointe can use their minds to work on problems and projects that require great brain and computing power. Continue reading →
“Every day a new disaster, but the one thing no one is prepared for will wipe the slate clean. We refuse to imagine our impending extinction, the acceleration of the cataclysms.”
— Cigarette Smoking Man
That plague that seemed to strike humanity in the last season finale hasn’t actually happened yet, but it might. And we get some more revelations (or do we?) about the Cigarette Smoking Man and William.
Radhika:The X-Files is back (again), picking up where it left off in the season 10 finale from 2016, which means the mythology is about to get a little more convoluted yet again. At first, this episode feels like it’s about to erase everything that happened in the previous season finale — and it sort of does, but not quite.
The season premiere opens with a monologue from the Cigarette Smoking Man (referring to himself as Carl Gearhart Bush — revealing the CGB in CGB Spender?), reflecting on his role in government conspiracies over the years. Then after the credits, we switch over to Mulder and Scully, where the former has found the latter unconscious after she suffered a seizure. Turns out that the mass illness striking humanity in the previous episode is all something Scully’s imagined, though she insists it’s all going to become reality and that Mulder needs to find the smoking man to prevent everything from coming into fruition. Continue reading →
“Knowing the way Chris likes to name characters, I’m surprised we haven’t met one named Cliff Hanger…. Special Agent Cliff Hanger.” — David Duchovny, New York Comic Con,
Oct. 8, 2017
Chris Carter, Gillian Anderson, David Duchovny and Mitch Pileggi at New York Comic Con on Oct. 8, 2017. (Radhika Marya)
The X-Files’ 11th season, the second season of the show’s recent revival, will be on our television screens in 2018, so it’s no surprise the series was the focus of a panel at New York Comic Con today. I was personally a little torn about whether I’d make the effort to go to said panel, having had the luck of attending a couple of other panels in recent years, but surprise to nobody — I went. So here’s a little blog entry to show you we’re still here before season 11 graces us all with its presence.
The panel, moderated by Michael Ausiello and featuring Chris Carter, David Duchovny, Gillian Anderson and Mitch Pileggi, was mostly fun to watch with banter that involved stories about a bear disrupting filming. But it seemed like the actors were simultaneously guarded and loopy. Perhaps this is due to the fact that they didn’t want to give up any spoilers (very little information was given to us about the upcoming season) and perhaps because they were tired as the show isn’t done filming. While there was plenty of laughter, I don’t think there was quite as much as there was back in 2013, around the time of the show’s 20th anniversary. Regardless, the panel filled up fast with enthusiastic attendees, so it seems that season 10 — despite the mixed feelings it evoked in some fans — has not chased Philes away.
Things kicked off with a trailer brimming with themes of saving humanity. It’s now readily available on the Internet (and below):